Creative Writing
Fiction
“The Water Will Come Back for You” – published in Issue VI of Mulberry Literary
“Keziah and the Whale” – published in Kelp Journal’s Issue no. 7
“The Fate of Seven House Keys: Imaginings” – published in the December 2021 issue of the Bangalore Review
“The Holy Waters of the Ganges” – published in South 85 Journal’s Fall/Winter 2020 issue
“Rooks Mate for Life” – published in Volume 3, Issue 1 of From Whispers to Roars
Creative Nonfiction
“Pineapples” – published in WOW! Women on Writing Q3 2021 Creative Nonfiction Essay contest
“The God of High and Low Places” – published in Issue 9, Spring 2021 of Under the Sun.
Book Reviews
Under the sun
Community Cats Podcast blog
Personal Book Blog
Blog Posts
Community Cats Podcast Blog
Girl Scouts of Colorado Blog
Personal Travel Blog
Press Release for the National Museum of the American Indian
Free Public Programs in Washington, D.C., and New York City October 23, 2019 News Release
November is Native American Heritage Month. There are 6.6 million Native American and Alaska Native people living in the United States, as well as millions of other Indigenous people living throughout the Western Hemisphere—all with unique traditions, languages, values and histories. Visitors can celebrate the diversity and contributions of these Native cultures at the Smithsonian’s National Museum of the American Indian with a variety of free public events in Washington, D.C., and New York City. Programs include festivals, performances, talks and family activities.
Visitors to National Museum of the American Indian’s George Gustav Heye Center in New York City will be able to enjoy the new exhibition “Stretching the Canvas: Eight Decades of Native Painting,” opening Nov. 16. The exhibition strives to expand traditional understandings of American Indian Art and present viewers with paintings that change the way authenticity of Native art is perceived.
Editor’s Note – Rappahannock Review – Issue 7.2
This is an uncertain time—in the midst of COVID-19, we don’t know when or how all of this might end and we can get back to our old habits of rubbing our eyes and meeting up for tacos. But one certainty that has arisen from the overwhelming confusion is that art is necessary. A good story can turn a lonely living room into a window onto other lives and places. And what has made these long hours indoors with only our thoughts for company bearable but the sudden proliferation of art on the internet. Musicians are holding living room concerts live on Instagram. Celebrities are reading bedtime stories on Twitter. Orchestras are stitching together the “Ode to Joy” instrument by instrument from their home recordings. Broadway and West End shows are streaming on YouTube. Authors are releasing stories and online content for free.
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People are always saying to me, “Oh, what are you going to do with your English degree?” with the air of indulging someone deluded enough to choose a career in art over the more stable and respectable science. I never knew what to say to these people. I recently came across a line from Star Trek Voyager that was also referenced in Emily St. John Mandel’s novel Station Eleven: “Survival is insufficient.” It struck me as the answer to that well-meant question. While it is clear that the world needs scientists and medical professionals, grocery store workers and delivery drivers, the world also needs artists. Without music, TV, movies, visual art, theater, and literature, we’re just surviving, not living.
We offer Issue 7.2 of the Rappahannock Review as an antidote to basic survival, an antidote to uncertainty. We lost ourselves in the lush language of Amanda Baledeaux’s “Space Camp.” Brenda Miller and Julie Marie Wade invited us to reexamine the themes of family and tradition between two pieces of bread in their collaborative essay “Sandwiches.” Dean Rader’s “The Fire That Consumes All Before It” connected us to the rich history of Cy Twombly’s visual art and Homer’s Iliad. “Dental Therapy,” an audio piece by Geoff Martin, showed us a humorous side to dentist visits. Two poems by Tom Laichas explored the psyche of Venice, California and Robert Boucheron’s “Audible Cities” spirited us away to three imaginary cities (though Hushington is beginning to look quite familiar these days). Featured artist Deandra Lee’s gorgeous, ethereal photographs offered us new ways to look at the relationship between humans and nature. We contemplated “the smallness of individual existence” with a poem by Nicole Mason, full of surreal humor and wisdom. Among the voices of our contributors we found the strength to confront grief and trauma, the freedom to celebrate beauty and family, the insight to explore politics and disability, and the levity to find humor even when times seem dark.
After the University of Mary Washington’s campus closed due to the coronavirus, our team speedily learned to use Zoom and overcame the various challenges of slow internet and malfunctioning microphones to bring you this issue. I’d like to thank all of our editors, as well as our faculty advisor Laura Bylenok, for their hard work and commitment to producing a great issue. We hope the wonderful work of our contributors will be a reprieve from the stresses, fears, and uncertainties of daily life. Be well and safe.
Krista Beucler, Editor in Chief

